Naoyuki TANAKA, also known as NAO, is a Japanese-born digital artist based in France whose work explores the intersections of performance, robotics, and interactive environments. A graduate of the Beaux-Arts with a background in fine arts and programming, his practice fuses retro-futuristic aesthetics with philosophical inquiries into identity, conflict, and the human-machine relationship. Drawing on influences ranging from Japanese animism to 1980s pop culture, he creates immersive audiovisual performances and installations that challenge our perceptions of agency, ritual, and collective experience.

Recent International Performances

THE CLUSTERs (2025–2023) – Paris, Stuttgart, Ottawa, Casablanca

  • PET’sOUND (2025–2024) – Paris, Casablanca, Khouribga

  • MonkeyTURN (2014–2017) – Paris, Arles, Aix-en-Provence, La Motte-Servolex

  • Venomous Master (2018) – Vision’R (Paris), Nuits Blanche, Technomancie

  • UsiNER (2021–2023) – Marseille, Aix-en-Provence

Residency period

From September 2025 to December 2025.

Upcoming Residency at IAS-UM6P:

At IAS–UM6P, TANAKA is developing W/ARGAME, an experimental performance featuring two spherical robots engaged in a choreographed battle. Through real-time tracking, projection mapping, and sound design, the project immerses the audience in a simulated conflict that gradually reveals its scripted nature, inviting reflection on the performative and symbolic dimensions of war, power, and spectatorship. His residency also includes research into the social role of technological rituals and collaboration with artists and scholars exploring the politics of embodiment and digital mediation.